Bright

After attempting career Suicide, Smith keeps gasping for Ayer, this time as the Neo-cop protagonist of Fantastic Bigots and How to Bind Them. Joel’s Edgy orc is impressively empathetic in his inability to keep up with the convoluted plot, and like most spells, the Rapacist is miscast. Not too bright.

Collateral Beauty

Life is Cynical continues Will Smith’s Pursuit of Oskars but falls like so many dominos as it drifts from clichéd to conniving to contrived. Star-studded cast turn in career low performances as the illogical and deeply troubled mini-machiavellis. One clever third act reveal hardly compensates for all the collateral BS.

Suicide Squad

DC Dozen’s editing, writing, music and tone are more schizophrenic than its ‘characters’ allegedly are. Redundant flashbacks, irrelevant exposition and illogical plotting send silly ‘story’ swan-diving into vat of tapioca puddin’. Smith wills his way through by reverting to fresh quips while others struggle to escape from completely contrived characterization.