Shazam!

DC’s E.T. manages marvel-ous mixture of comedy and heart to easily hurtle past decade’s low bar. Though inconsistent with Asher’s performance Levi’s caricature hero untangles problematic plot while diverse and talented supporting players band together to out-sparkle their third act avatars. Even ends alarmingly well because that’s the exclamation point!

Kingsman: The Golden Circle

Saccharin spy sequel ropes in repeat viewers with self-indulgent circle-jerk of artificially enhanced action choreography.  Despite tonally consistent attempts to render disbelief weightless, the stellar assembly of stars to this shallow but shiny show is more difficult to fathom than the robodogs, Elton’s John Wick, or Firth’s ludicrously close shave.

Kingsman: The Secret Service

Starts with a bang, ends with an ass, and provides a fun ride in between but James Bond: First Class kicks less ass than expected.  Vaughn gets it Wright occasionally but otherwise burns screen-time with tedious training, self-critical comedy, and a lead less compelling than any of his ample support.

The Imitation Game

Cumberbatch cracks a code with aid from his beautiful mechanical mind and seems right at holme with crackling clever dialog and a supporting team who are undeniably Goode and Strong.  Somewhat contrived flashback structure and overly enigmatic opening voiceover are more than offset by a devastatingly powerful genre reassignment surgery.

The Guard

The other McDonagh borrows his brothers cast and expertly inserts them into The Layer Cake Aquatic. Gleeson adds a subtle depth to an unconventional character, while Cheadle proves that he can master any accent. Feels like a well-made student film experimenting with film conventions and succeeding two-thirds of the time.

The Way Back

Should be 'Long Way Back' as fair warning that this subdued epic will be an exhausting journey. Cast fill worn-down shoes of their characters well as they sneak out of prison in a break even less exciting and noticeable than this film’s release. Hybrid Schindler’s Limp and Lawrence of Siberia.

Green Lantern

Reynolds is green with envy for all the decent superhero scripts as he fails to light a spark of enjoyability in this dim lantern. Effects unworthy of Pixar, and the dialogue makes Star Wars look like Shakespeare ensure that a film about manifesting the imagination completely fails to do so.

Tinker Tailor Soldier Spy

Hardy, Strong, Hurt, Oldman. All perform well and names describe Gary perfectly. His performance is top-notch as he rides a Titanic cast-list into a slow and methodical spy quasi-thriller. More tinkering and tailoring than soldiering or spying. One would imagine that a movie this big would be easier to follow.

Sunshine

Intelligent deep-space thriller with depth of Solaris and the excitement of Alien. Boyle goes big scale for this one and uses Fincher-esque camera moves to restart the sun. Stellar international cast explore the burden of saving humanity while struggling to learn why Boyle trashed the film in the third act.

Stardust

The best comedy fantasy since Princess Bride and an outstandingly clever film. A cast of supporting superstars surround a relative unknown as he makes his way through an ingeniously funny fairy-tale land. De Niro and Pfeiffer provide two of the best performances, of the film, and of their recent years.

The Young Victoria

The Duchess on casual Friday. Altogether average period piece, with mundane plot and decent performances to be Blunt. Distractions included occasionally dysfunctional Barry Lyndon-esque lighting and strange Scorsese-style anachronistic editorial flourishes. Also hurt by oddly punctuated title cards and pre-credits history textbook. Bettany and Strong are perfect for this, period.

Kick-Ass

Watchmen’s Zombieland with matching angsty, redundant voiceover. Bright colors and cleverly Layer-Caked transitions add nice touch to poorly paced but generally enjoyable film. Nick Cage perfectly paired with best female superhero yet, and their violence is beautiful to behold. Features hallway fight to rival Oldboy but done by young girl.

Sherlock Holmes

RDJ and Jude Law discover that an evil genius has turned London into a Dan Brown novel. Peppered with clue-leaves and the tails of clue-rats, completely indecipherable hints designed to make the viewer feel not clever enough. Pseudo-intellectual film made entertaining by good actors and occasional sequences of 300 slo-mo.