Fincher uses a gimmick to make slow-moving mundane story enjoyable to watch, and the result is exquisitely beautiful, both visually and emotionally. Blanchett and Pitt both shine through not quite satisfactory makeup and visual effects. Hurt slightly by occasional moments of excessive screen-writer cleverness and by similarities to Forrest Gump.
Showing posts with label Elias Koteas. Show all posts
Showing posts with label Elias Koteas. Show all posts
Saturday, May 1, 2010
Thursday, February 25, 2010
Shutter Island
Scorsese finally proves that ‘no,’ he doesn’t only make good movies. Interesting continuity editing lets Dicaprio showcase ability to spontaneously change position of props, facial expressions, and entire body between camera angle cuts. Insanely flawed story reflects loyalty of film to source material. Decent film if zero thought is applied.
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