Transcendence

Pfister pounds a heavy-handed reverse Matrix out of No-lan’s Land.  Sludge slow pacing, artificially injected character arcs, and unsatisfying set-pieces fill the space between the unnecessary bookends like so much bland code in a self-destructive program.  Or perhaps it simply transcended human audiences and would be better enjoyed by machines.

Pawn Shop Chronicles

After crossing over from his cooler films, Kramer runs scarily amok with this schoolboy attempt to emulate Coens and Tarantino within Sin City’s plot structure.  Walker stands out, but Fraser and Dillon can’t even carry a third.  Senseless scripting qualifies this one for nothing but bargain bins and pawn shops.

Inception

Another creative mental masterpiece from Nolan populated with talented cast of lesser-known actors. Revisits Memento themes and Delves into dense subject matter to pose deep philosophical and logical questions. Plot-holes and logic lapses are strangely unable to sink this intellectually stimulating puzzle, but does it connect emotionally? In your dreams.

Alpha Dog

From the director of The Notebook comes this unusual approach to a true crime story. Young stars Yelchin and Hirsch easily outshine Willis and Stone. Perhaps one of the only films to leave audience feeling sorry for every character. Not great, but not terrible, earning it the title, Beta Dog.