Midnight in Paris

Wilson plays Woody well in Allen’s best and most accessible comedy to date. Midnight in Cairo features brilliant fantasy and an impressive array of modern stars perfectly portraying classic artists in funny but truthful ways. Allen did his research, and not just on sexual angst. Dissatisfying end elements and McAdams.

The Day the Earth Stood Still (2008)

Quasi-remake that starts well enough, and features the decades first decent Keanu casting, but then hits a standstill with introduction of Crichton prey bugs, the most dimly-lit McDonald’s ever, and a complete lack of main character motivation. Ends abruptly with simultaneous saving of planet and destruction of original film’s point.

Valentine's Day

Love, Atrociously. Cheesy forced variation of British rom-com masterpiece. Amusing cast of big name actors add some spice to poorly constructed ensemble disaster, but none of the interweaving pays off or says much of anything. Cooper and Roberts provide only truly compelling storylines, and culminating in sole redemption of film.

The Blind Side

Embraces every drama film cliché to craft a trite but entertaining story with mediocre cinematography. Essentially a character piece about how ballsy Bullock’s character was, and her performance succeeds in doing the dialogue justice. Plot meanders a bit before finally delivering an unsatisfying ‘predicament’ as evidenced in the opening flash-forward.