Isle of Dogs

Wes goes east in The Seven Symmetries, outdoing his meticulous shot design and quirky wit. But this adventure’s emotions seem to be lost in translation. Furthermore, the screwy set-pieces seem to have evicted the plot to trash island, and though the action is entertaining and fun, it’s ultimately doggone dissatisfying. 

Argo

Affleck’s spy-thriller lacks surprises and action but still manages to be heartfelt, funny and tense as hell.  Simple but nuanced film stands above Ben’s predecessors due to real-life story and abnormally empathetic Daredevil.  Unknown hostages excel under Affleck’s on and off-screen direction, while state-side big-namers provide mission with comedic support.

Contagion

Soderbergh Traffics in another terrifying global film. Sprawling story adequately accomplishes conveying scope of realistic doomsday scenario, but fails to see some it’s character studies through to completion. Strong performances with epidemic of Oscars are sometimes over-powered by look-at-me editing, and a pervasive score. Good Planet of the Apes tie-in.

Drive

Winding Refn revs up for the gold after Bronson’s disappointing bronze. Gosling proves you can’t judge a notebook by its cover in a film that’s crazy and lovely but far from stupid. Brooks and Hellboy have their careers resurrected. Unbelievably beautiful and not because of Mulligan and the frozen strippers.