Mother!

Moving cinematography puts viewers in the feverish nightmare of an unamused muse abused. Mediocre digital effects and inconsistent pacing damage structural integrity of a creative internal haunted house built on a foundation of densely packed symbolism which ultimately devolves into Boschian cinematic orgy where generating exclamation seems the main point.

Passengers

Lost in Spaihts follows non-perishable humans who spoil as a result of dialog almost as over-explanatory as the trailers. 2^nd Lawrence’s Eventual arrival marks Horizontal shift from originality to cliché. 1/3 of a good concept should’ve prompted a studio ‘Pass’ but instead we learn that male entitlement can save mankind.

Mockingjay: Part 1

Expository non-plot hardly whistles by as the capital pays the bird to remain flightless in the hopes of raking in more Pan-Emerican dollars.  Meanwhile the rebels leak a host of nude photos to raise public awareness, while Gale gets stormier, Peeta gets thinner, and Julianne regrets not making better contacts.

The Hunger Games: Catching Fire

Apparently the game-makers caught and fired whoever did the Shakicam to part 1, because this sequel is well choreographed and crisply shot.  With deeper character development, larger cast, and imaximum number of digital tricks, the only thing extinguishing this fire’s sure victory is a twisty spoiler of a ship-sized plothole.