Soderbergh phones it in, but the results are unsettlingly
compelling. Foy’s strong performance carries an otherwise fairly institutional
story, while a bizarrely low budget Hitchcock aesthetic imbues One Got Trapped
in the Cuckoo’s Nest with a freaky fun feeling as it carefully balances doses
of serious caution with tongue-un-cheek excess.
Monday, June 10, 2019
Subscribe to:
Post Comments (Atom)
No comments:
Post a Comment