Friday, January 31, 2014

Captain Phillips


Forrest goes to sea in Saving Maersk’s Cargo where he resists hijacking by disgruntled Somali limousine pirates with characterization as deep and tempers as turbulent as the film’s oceanic setting.  Greengrass’ blue sea thriller soars with the tension of United 93, and is expertly captained by subtle but poignant Hanks.

Thursday, January 30, 2014

Gravity


Visually spectacular rollercoaster captures audience while cutting them loose in space.  Adherence to physics drifts away with less famous actors and Apollo Ed’s voice leaving only Bullocks’ (and the FX team’s) brilliant performance.  Condescending dream shrapnel drags audience commitment down, but otherwise delivers a thrilling albeit not quite airtight story.

Wednesday, January 29, 2014

The Wolf of Wall Street


Leo plays Gekko Gone Wild in the Goodfellas of the gadget age.  Epic over-long catalog of various debaucheries available to anyone good at greed.  Nails comedic beats with help from shirt clad McConaughey and Hill’s blinding teeth.  Pushes limits for runtime, T&A,and Fs while promoting the redemptive qualities of cocaine.

Saturday, January 18, 2014

Her


Reborn Phoenix proves he can still play an empathetic everyman.  Jonze delivers another soft sci-fi with cinematic brilliance and deep philosophical conjecture.  Adams, Wilde and Rooney are brilliantly quirky/real, but the added sound of Scarlett gives the movie color, leaving Joaquin and us wondering what Her would be without her.

Friday, January 17, 2014

12 Years a Slave


McQueen incorporates themes and realities of Hunger and Shame into masterful epic that chains his cinematic genius to a more conventionally narrative true story.  Ejiofor’s nuanced lead is perfectly served by empowered innocence of newcomer Nyong’o and impressively humanized inhumanity of Fassbender and Paulson, while producer Pitt plays weakest link.