Daniel’s cocky, wooden performance paints him the king of
his castle, in a self-constructed patriarchy where he answers to no one but
Manville. Anderson forsakes the contrivances of Master’s Vice in this deeply
contemplative study of a master’s vices. Remarkably stitched together with
invisible strings intertwining simultaneous subtlety and melodrama.
Monday, March 5, 2018
Subscribe to:
Post Comments (Atom)
No comments:
Post a Comment