Despite Zemeckis characteristic overindulgence in visual
effects, Mr. Smith Goes to Europe is an old-fashioned, conventional tail of
intrigue. Tragically mis-represented by commercial double-agents, the twists
are spoiled and the plot consequently sabotaged. Pitt is predictably at home in
glorious fashion and Cotillard keeps the emotions real despite all lies.
Monday, May 8, 2017
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