Wednesday, January 14, 2015

Birdman


Black-Swan-man embraces gravity with style despite feather-ruffling from Norton’s Norton and stoned Stone.  Watts electrifies with return to Mulholland while Galifaeioukis galls by emerging from comedic ferns.  Inairitu’s mockery of editing and soundly designed sound design give wings to a film that seemed like a long shot and still does.

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