Besson’s metal rendition of Carpenter’s escape lacks quirkiness
of the original, technology of a good sci-fi, and plausibility of a decent
movie. Pearce’s tough guy is great, but
Grace is far from it. The badness of the
prisoners is too senseless and inconsistent and the conspiracy theory feels
tacked on.
Saturday, September 1, 2012
Subscribe to:
Post Comments (Atom)
No comments:
Post a Comment